
What is it about booklet-note writers that leads them to make the most ridiculous claims regarding both the music and the performers? How about this:
Here are two comic operas by Paisiello, taped live in July, 2002 at the Martina Franca Festival. In Le due contesse, when the Countess and
Paisiello composed music from 1764 to 1808, with more than 80 operas to his credit. This little 72-minute “scherzo” (as it’s referred to in the
Poor Paisiello! If only Rossini hadn’t come along and composed his incredibly inventive, witty, insightful, vocally acrobatic version of Il barbiere di Siviglia, we might
Because I normally can’t stand operas by Paisiello, what with their chirpy sopranos, blustering basso buffos, and endless recitatives, I approached this set with trepidation,