
I’m all for economy, but these German radio orchestras have got to stop annexing names every time they merge or otherwise absorb some other ensemble.
Some of Georges Auric’s best music has been saved for Volume 3 in Marco Polo’s series devoted to his film scores. Notre-Dame de Paris, known
There’s a certain sameness to Georges Auric’s music for these films, despite his use of interesting instruments such as saxophones, celeste, and Ondes Martinot. From