
Unlike Lipatti’s 1950 recordings, made in the last year of his brief life on a less than ideal instrument, his 1947 sessions capture the full
BMG’s remastering for Vladimir Horowitz’s November 1981 Metropolitan Opera recital enhances the ambience and definition of the original Soundstream digital tape, bringing the artist’s difficult-to-record
Martha Argerich has few peers in this repertoire today, and in terms of sheer spontaneity in performance she’s simply in a class of her own.