
Like the previous ones, this fourth installment in CPO’s Wellesz symphony cycle is a bit of a mixed bag. Symphony No. 3 (1950) reveals Wellesz’s
You want to like Wellesz, and I found myself trying very hard (and largely succeeding) when considering the first release in this admirably performed cycle
Egon Wellesz achieved a measure of success in his adopted homeland of Britain as a distinguished musicologist, but like so many Jewish refugees forced to
This jam-packed two-disc compilation of works for violin and piano rests on the tenuous premise that composers in England, Vienna, and Berlin who wrote music