
Here is more fine Grieg from Bjarte Engeset and Naxos. The symphony isn’t terribly interesting or important, but this is a very charming performance featuring
Take Grieg’s Lyric Pieces on the accordion, add a space cadet title, and you’ve got a gimmick with a capital “G”. Which means a big
Naxos’ ongoing series of Grieg orchestral music has been offering performances basically as fine as any in the catalog. These performances of the two canonical
This disc is wholly delightful. Perhaps the most exciting “find” is Geirr Tveitt’s orchestration of the Ballade, which sounds amazingly like–Geirr Tveitt! It’s gorgeous. Tveitt
If, based on his most popular pieces, you’ve come to the conclusion that Grieg was something of a musical wimp, then you really need to
Antonio Pompa-Baldi’s ongoing Grieg cycle for Centaur goes from strength to strength, as Volume 5 demonstrates. Indeed, no other complete recording of the 25 Norwegian
This release, seeing the light of day for the first time in this mid-priced series (the actual recording date isn’t given), contains a selection of
There have been many, many excellent recordings of Grieg’s Peer Gynt Suites, and I personally prefer collections that offer a somewhat larger selection of incidental
This is an unequal coupling in the sense that the Grieg is a faceless work that the composer was right to dismiss, while the Goldmark
There have been several collections released recently containing Grieg’s complete music for string orchestra. Aside from the Holberg Suite, which is beautifully performed here by