Among the notable works by Czech composers interred by the Nazis at Terezín, Pavel Haas’ tragi-comic opera Šarlatán (literally, Charlatan) stands out in many respects. Its spirited theatrical qualities fit hand in glove with Haas’ restless musical energy. Likewise, the charismatic characters are uplifted rather than overpowered by the composer’s richly idiosyncratic scoring. We readily perceive strong Janacekian undertones in Haas’ speech-like vocal writing, persistent use of short, non-developing rhythmic cells, and in the music’s distinct modal flavor. The plot centers around Pustpalk the quack doctor and his carnival cronies as they wander from town to town, stumbling upon adventure and skirting danger. Israel Yinon’s singers are cast from strength. Vladimir Chmelo’s vocal acting in the title role never lapses into caricature, and Anda-Louise Bogza is appropriately indignant in the role of Pustpalk’s long-suffering wife. Her rival Amaranta is beautifully sung by Jika Svobodová. Jan Markvart nearly steals the show as the protagonist’s competitor, quack healer Šereda, while the supporting singers help sustain this live performance’s urgent thread. The sound is good, but slightly recessed and oddly balanced. Still, you get more than a sufficient idea of Yinon’s careful preperation and vital leadership. Anyone who remotely cares about Czech opera’s bountiful heritage cannot be without this landmark recording. [12/26/1999]
