As usual with composers who became famous because of a single work, most of Paul Dukas’ output suffers from unjustified neglect and oblivion. Like the tree that conceals the forest, his symphonic poem The Sorcerer’s Apprentice has eclipsed the beautiful “poème dansé” La Péri and its majestic introduction (which sounds like the entry of the gladiators in some Hollywood historical peplum), as well as the Symphony in C major, where Dukas reveals his precocious talent. Jesús López-Cobos and the Cincinnati Symphony Orchestra have done a useful job in recording all three compositions. The performances are very well played, even if Dukas’ music seems to ask for a bit more sensuality, refinement, and mobility of expression than what is heard here. The Fanfare to La Péri gives full credit to Cincinnati’s virtuoso brass section, while the lascivious poème dansé itself would benefit from some additional flexibility and swing.
A little humor is all that The Sorcerer’s Apprentice needs; instead, López-Cobos provides plumbed dynamics and overall slow tempos. The descriptive episodes lack lightness, fluidity, and a sense of panic. No such complaints arise with the juvenile Symphony, where the orchestra’s rock solid ensemble playing easily meets the young composer’s skillful writing. Special mention must be made of the sensitive rendition of the Andante espressivo. Generously detailed as well as spacious, the Direct Stream Digital recording is a pure delight.
