The main question here is how BMG’s new 20-bit remasterings compare to those in their 1990 Toscanini Complete Edition. Both ends of the dynamic spectrum are considerbly opened up, which intensify the Maestro’s stinging accents and point up the carefully sculpted cantabile phrasings to an unprecedented degree. I also detect smidgens of artificial reverberation: tastefully applied, but frankly superfluous. The Schubert symphonies boast relentless forward momentum, which pushes the NBC Orchestra to the edge of its collective virtuosity. I prefer Toscanini’s weightier 1940 Schubert “Great”, featuring the more tonally alluring Philadelphia Orchestra. By contrast, the Mendelssohn works benefit from Toscanini’s slightly looser-limbed expansiveness in the slow movements, and the solo work is more relaxed. The performances, incidentally, date from between Toscanini’s 83rd and 87th years, and reveal the Maestro’s unflagging energy and fervent committment in each and every bar.
