12 Singers Move to Semi-Finals in Montreal Competition

ClassicsToday

Montreal, May 27, 2015 – The Montreal International Musical Competition (MIMC) started on a lyrical note on Monday, May 25, as 24 young singers from nine countries were ready to take the stage at Bourgie Hall. Between May 25 and May 27, each competitor performed in a 25 to 30 minute-recital, featuring the most beautiful pages of the repertoire. After a last-minute withdrawal, the international jury has selected 12 semi-finalists among 23 competitors:

Byeong-Min GIL, bass-baritone (South Korea)
Claire DE SÉVIGNÉ, soprano (Canada)

Yauci YANES ORTEGA, tenor (Spain)
Takaoki ONISHI, baritone (Japan)

Anaïs CONSTANS, soprano (France)
Keonwoo KIM, tenor (South Korea)

Owen McCAUSLAND, tenor (Canada)
Hyekyung CHOI, soprano (South Korea)

Min Gue CHO, tenor (South Korea)
France BELLEMARE, soprano (Canada)

Vasil GARVANLIEV, baritone (Macedonia)
Hyesang PARK, soprano (South Korea)

The six finalists will be announced following the last Semi-final session on Saturday, May 30.  They will perform with the Orchestre symphonique de Montréal conducted by Maestro Johannes Debus on June 2 and 3, at the Maison symphonique de Montréal. The announcement of the laureates will be made following the last final session on Wednesday, June 3.

The complete musical programme of each round is available at http://concoursmontreal.ca/en/the-competitions/voice/

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Benjamin Bernheim Rules as Met’s Hoffmann
    Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Despite its
  • RIP David Vernier, Editor-in-Chief
    David Vernier, ClassicsToday.com’s founding Editor-in-Chief passed away Thursday morning, August 1, 2024 after a long battle with cancer. The end came shockingly quickly. Just a
  • Finally, It’s SIR John
    He’d received many honors before, but it wasn’t until last week that John Rutter, best known for his choral compositions and arrangements, especially works related