Author Archive | Robert Levine

Church of St Ignatius Loyola, New York, NY; February 1, 2017—Presented by the organization Sacred Music in a Sacred Space, the concert on February 1st was in the exquisite German Baroque Revival Church of St Ignatius Loyola on 84th Street and Park Avenue in Manhattan; surroundings and music were perfectly wed. The Estonian Philharmonic Chamber […]

Metropolitan Opera, Lincoln Center, N.Y. October 25, 2016—It has been 80 years since the Metropolitan Opera staged Rossini’s final opera, Guillaume Tell. A gigantic work lasting four-plus hours, here it is presented almost complete, with only a piece of ballet and a few recitatives omitted—about 15 minutes’ worth. The issue with it is not its […]

Metropolitan Opera House, Lincoln Center, NY, September 28, 2016—It’s always good to re-visit the Met’s production of La bohème, particularly when new singers have been called in to navigate the vast stage with Franco Zeffirelli’s stunning and gargantuan sets. Critics balk at the scale of the production, some claiming that the singers get lost in […]

The Fisher Center, Bard College, Annandale-on-Hudson, N.Y; July 31, 2016—Although Mascagni’s Iris never achieved the popularity of the composer’s Cavalleria rusticana, within four years of its Rome premiere it had been heard in Milan, all over Europe, in South America, and in New York. To my ears, it comes in third in Mascagni’s oeuvre, after […]

Jazz at Lincoln Center’s Rose Theater; New York—The second installment in the New York City Opera’s hoped-for renaissance recently emerged victorious, unlike its ill-advised Tosca several months ago. Borrowing the production from Nashville Opera, it presented the New York premiere of Daniel Catan’s lush, neo-Romantic Florenzia en el Amazonas, which premiered in Houston in 1996 […]

Metropolitan Opera House, Lincoln Center, NY; March 15, 2016—Don Pasquale, Donizetti’s final comic opera, and fifth from last of a list of almost 70, is a gem, dessert-like in its airiness, with a few poignant moments as well. Amid all of the familiar plot conventions involving tricking an old, foolish man out of his romantic […]

Metropolitan Opera, New York; February 15, 2016—Manon as film noir femme fatale? Well, she certainly is selfish and leads her lover to ruin, but why on earth update the opera to the 1940s in Nazi-occupied France? For those who have seen quite enough Nazis in opera productions that do not call for fascism of any sort, […]