Ozawa; Seiji

  • Prokofiev & Ravel: Piano concertos/Li

    Yundi Li turns in a scorching performance of Prokofiev’s most exciting piano concerto. In the first movement not even monster banger Alexander Toradze throws off…

  • Messiaen: Turangalila/Ozawa

    This is the recording that introduced most of us “over 40s” to Messiaen’s masterpiece, and its domestic appearance on CD is long overdue. Seiji Ozawa…

  • NEW YEAR’S CONCERT 2002

    Certainly one of the most impressive SACD multichannel productions coming from Philips thus far, this recording of an excellent concert really does capture the sense…

  • Bruckner: Symphony No. 7/Ozawa SACD

    Seiji Ozawa is often at his interpretive best when he records with the Saito Kinen Orchestra. But this festival ensemble normally stays together for less…

  • Rachmaninov: Piano ctos 1 & 2/Zimerman

    Every new recording by Krystian Zimerman is something of an event, so it’s sobering to realize that these two performances, recorded in 1997 and 2000…

  • Tchaikovsky/Rachmaninov: Piano works/Volodos

    This very fine Tchaikovsky First Piano Concerto will come as a surprise to those who view Arcadi Volodos merely as a barn-storming virtuoso with few…

  • Berlioz: Benvenuto Cellini-Rome ’73/Ozawa

    This is another of Berlioz’s problem children. First composed with spoken dialogue, it was rejected by the Opéra-Comique; Berlioz revised it and the Paris Opera…

  • Beethoven: Piano concerto & Symphony No. 5/Serkin/Ozawa

    When this recording first appeared in the 1980s, it was notable for its unprecedented realism in reproducing the sound of the Boston Symphony. Telarc made…

  • Richard Strauss: Elektra

    This is a strange set. Taped lived and then fixed-up in the studio in 1988, it presents the opera as almost “pretty,” clearly a choice…

  • Bizet: Carmen/Ozawa

    Making its reappearance in Decca’s Compact Opera Collection, this 1999 Carmen is one of the strangest, most unidiomatic ever. Jessye Norman brings her considerable vocal…

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