
Angela Hewitt first came to international attention in her late 20s after winning first prize in the 1985 Toronto International Bach Piano Competition, an event
This is one of those releases that disarms criticism. These works offer no major technical challenges to modern players; the only real issue is whether
For Rameau on the piano, Angela Hewitt proves just as gorgeous in her realizations as Tzimon Barto on Ondine, but with a million times the
Angela Hewitt and Schumann’s First Piano Sonata date back at least to 1982, when the young pianist recorded it for the tiny Canadian label Damzell.
Among modern-day piano recordings of Bach’s Well-Tempered Clavier, Angela Hewitt’s has long held a favored place for its stylish perception, controlled virtuosity, intelligent application of
Emmanuel Chabrier’s piano music has everything going for it: charm, wit, imagination, unexpected harmonic twists, and more than a few technical challenges. So why do
This second volume of Bach keyboard concertos is every bit as fine as the first (type Q9124 in the search box for that review). Angela
There has been no shortage of excellent Bach keyboard concerto performances on the piano, from Glenn Gould to Murray Perahia, and this newcomer certainly belongs
My favorable comments on Angela Hewitt’s first of three projected Couperin piano releases (type Q6497 in Search Reviews) apply for Volume 2. Here she offers
Although Angela Hewitt’s renown rests on her justly acclaimed Bach interpretations, she commands a wider repertoire than you’d suspect: witness her fine Messiaen recital for