

Anatol Ugorski was not a favored artist in the Soviet […]

Within the essentially objective aura characterizing Maurizio Pollini’s 1972 Chopin Etudes, you find numerous examples of subtle poetry, color, and nuance, to say nothing of

Anatol Ugorski’s 1993 recording of Messiaen’s magnum piano opus occasionally turned up in U.S. stores as a special import, and it wasn’t cheap. It’s now

In some ways, Alexander Scriabin is a hard composer to take seriously, if only because the gap between his pretensions and his achievements is so
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