Your guide to classical music online

CCABOYVasks: Symphony No. 2; Violin cto

David Hurwitz

Artistic Quality:

Sound Quality:

Peteris Vasks’ Violin Concerto (“Distant Light”) was written for Gidon Kremer, who very capably recorded it for Teldec. However, although Kremer is a fine musician and a real force in contemporary music today, his sound often comes across as less than ingratiating, and for this reason John Storgards offers a useful alternative view. This new version also adds a few extra minutes to what already is a very mellow, dreamy piece, though the luminous string textures and ravishing soft playing that conductor Juha Kangas coaxes from the superb Ostrobothnian Chamber Orchestra go far toward granting him license to take the extra time.

The real treat, though, is this premiere recording of Vasks’ epic Second Symphony, a 40-minute single movement that sounds something like Giya Kancheli with better tunes and less sense of despair. The work opens with a magnificently turbulent exordium for full orchestra, which gradually gives way to a passage of great stillness punctuated by the quiet stirrings of stylized birdsong. Much of the thematic material sounds vaguely folk-inspired, and these two antithetical kinds of music engage in a dramatic dialog that after a few tremendous climaxes ebbs away peacefully at the work’s close. If you enjoy Kancheli, or Rautavaara, or what you might call the “new tonal school” of modern composers, then you’re going to love this. It’s also marvelously played and conducted (Storgards on the podium this time), and the sonics are drop-dead gorgeous. An event not to be missed! [3/22/2003]


Recording Details:

Reference Recording: None

PETERIS VASKS - Symphony No. 2; Violin Concerto "Distant Light"

  • Record Label: Ondine - 1005-2
  • Medium: CD

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Ideally Cast Met Revival of Gounod’s Roméo et Juliette
    Metropolitan Opera House, Lincoln Center, NY; March 19, 2024—The Met has revived Bartlett Sher’s 1967 production of Gounod’s R&J hot on the heels of its
  • An Ozawa Story, November, 1969
    Much has justifiably been written regarding Seiji Ozawa’s extraordinary abilities and achievements as a conductor, and similarly about his generosity, graciousness, and sense of humor
  • Arvo Pärt’s Passio At St. John The Divine
    Cathedral of St John the Divine, New York, NY; January 26, 2024—When one thinks of musical settings of Christ’s Passion, one normally thinks of the