Your guide to classical music online

Schubert: Symphonies Nos. 5 & 8/Jochum

David Hurwitz

Artistic Quality:

Sound Quality:

How nice it is to see these performances back in the catalog! Jochum takes Schubert’s Fifth quite seriously, which is not to say heavily, making it sound like Schubert as much as it does Haydn and Mozart. The slow movement positively glows with gracious lyricism, and the mono sonics don’t get in the way at all. This Ninth also is pretty terrific. Perhaps the tone of the Bavarian Radio horn section in the 1950s isn’t what we expect nowadays for the opening of this symphony, but in all other respects the orchestra plays with total commitment. Jochum’s interpretation is wonderful from first note to last. Call me anachronistic, but I love the big accelerando into the first-movement allegro. The slow tempo for the Andante con moto shows just how it should be done at this speed: comparison with the recent Simon Rattle/Berlin recording (EMI) tellingly reveals the difference between a real pro and an amateur in this music. Both the scherzo and the finale fly like the wind (save for a very relaxed central trio in the former), and the early stereo sound is true to the players and the work. A fine reissue in all respects.

« Back to Search Results


Recording Details:

Reference Recording: No. 5: Böhm (DG), No. 9: Wand/NDR & Munch/BSO (both RCA)

FRANZ SCHUBERT - Symphonies Nos. 5 & 9 "The Great"

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Ideally Cast Met Revival of Gounod’s Roméo et Juliette
    Metropolitan Opera House, Lincoln Center, NY; March 19, 2024—The Met has revived Bartlett Sher’s 1967 production of Gounod’s R&J hot on the heels of its
  • An Ozawa Story, November, 1969
    Much has justifiably been written regarding Seiji Ozawa’s extraordinary abilities and achievements as a conductor, and similarly about his generosity, graciousness, and sense of humor
  • Arvo Pärt’s Passio At St. John The Divine
    Cathedral of St John the Divine, New York, NY; January 26, 2024—When one thinks of musical settings of Christ’s Passion, one normally thinks of the