What distinguishes these revolutionary sonatas for violin and harpsichord from those composed previously by others rests with Bach’s liberation of the keyboard from its traditional
Metropolitan Opera House, Lincoln Center, NY; March 19, 2024—The Met has revived Bartlett Sher’s 1967 production of Gounod’s R&J hot on the heels of its
Much has justifiably been written regarding Seiji Ozawa’s extraordinary abilities and achievements as a conductor, and similarly about his generosity, graciousness, and sense of humor