Christina Pluhar, whom a Spiegel magazine article once dubbed “The Domina of Early Music”, has made a name for herself with funky and very contemporary
I’ve never really enjoyed Beethoven’s Triple Concerto, and listening to this performance I’m pretty sure why. It’s really more a piece of chamber music than
Every so often the major labels extrude a heap of
Remember the rave review I gave to Joyce Hatto’s recording
When Evgeni Koroliov & Co’s recording with the six multiple-keyboard concertos of Bach, performed on modern instruments, came out earlier this year, it became the
Anne Queffélec never made a bad recording. Some are better
We’ve been here before. Most of the Fauré recordings contained in this 12-disc set have been reissued too many times to count. Still, for what
No need to waste much time here. The Insula Orchestra is yet another one of those faceless period performance groups whose conductor, Laurence Equilbey, seems
Ever since my colleague Jed Distler raved about Bertrand Chamayou’s remarkable release of Liszt’s complete Années de pèlerinage, I have been following his career on
These performances have been reissued, relabled, recoupled, decoupled, repackaged, and