Your guide to classical music online
Vienna, November 19, 2019; State Opera—It seems not so long ago that Simon Keenlyside was a young, virile singer, boldly physical, and for all his energy perhaps a touch anodyne. His Britten performances and releases like “Tales of Opera” or his 2009 Dichterliebe tell some of that tale at both ends of the spectrum. The […]
Vienna, November 6, 2019; Konzerthaus—Vienna was in an early-music mood this November: Christophe Rousset’s Les Talens Lyrique was performing Ariodante at the State Opera; the Musikverein hosted the fast declining Concentus Musicus as well as the endearingly chaotic but often exciting Vienna Academy Orchestra; and the Konzerthaus opened its doors to Jos van Immerseel and […]
Andermatt is not the prettiest Swiss village. Certainly not the most famous or even otherwise particularly notable in a country positively littered with gorgeous little alpine towns straight out of a kitschy re-make of Heidi. It had been an important trade post along the route connecting Milan and Zurich, Italy, and much of north-western Europe. […]
Vienna, October 5, 2019; Musikverein—When Christian Thielemann stands in front of the Vienna Philharmonic, you can be sure of one thing: The orchestra does what he wants. Famous for simply ignoring or not caring about who stands in front of them or how they are conducted, the finicky Vienna Philharmonic likes and listens to the […]
Thursday, October 17, 2009 8pm. Carnegie Hall, NY Bach and Mendelssohn always go well together, the one having been a major influence on the other, and so it proved Thursday evening at Carnegie Hall, when the Orchestra of St. Luke’s presented two Bach keyboard concertos framed by two of Mendelssohn’s most popular orchestral works, The […]
Vienna, September 23, 2019; Theater an der Wien—The Theater an der Wien, Vienna’s interesting opera house, put on Dvořák’s Rusalka last month, directed by Amélie Niermeyer and conducted by David Afkham. The most notable aspect about the production might well have been the set, designed by Christian Schmidt, intending to make a splash – literally […]
We live in an era when more recordings of more music by more artists are available than at any time before. In particular, the release of Big Boxes of live performances, radio broadcasts, and even commercial recordings now in the public domain, have given collectors the opportunity to sample extensively the output of conductors whose […]
Budapest, September 25, 2019; Müpa—For my ongoing survey of Budapest’s orchestral scene, I picked out an all-Bartók evening with the Hungarian National Philharmonic. The National Philharmonic came to (Western) fame under its longtime director János Ferencsik and again when it was led for two decades by Zoltán Kocsis until the latter’s death in 2016. The […]
The German word “dick” has many translations. It does, as so often, depend on context. It could mean “fat” or “tubby”. More likely it means: “big”, “chubby”, “corpulent”, “Rubenesque”, or “thick” (as in a slice of bread). It is a descriptive word. Like many descriptive words, it can be turned into an insult, assuming it […]
Bard Summerscape, Bard College, Annandale-on-Hudson, N.Y.; August 18, 2019—For almost 20 years now, Bard College, at Annandale-on-Hudson, New York, has been presenting, under music director Leon Botstein, important operas outside of the familiar repertory of the major opera companies. Works by Chabrier, Smyth, Stravinsky, Shostakovich, Blitzstein, Zemlinsky, and others have met with audience and critical […]
