[A repost from our archives, in tribute to the great To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
[A repost from our archives, in tribute to the great To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
[A repost from our archives, in tribute to the great To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Maurizio Pollini’s recordings of Schubert’s last three sonatas and Klavierstücke To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Maurizio Pollini’s recent Chopin Second Sonata and Op. 28 Preludes remakes were generally inferior to his first recordings of these works. The same holds true
Among prominent pianists of our time, Maurizio Pollini represented the To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
[A repost from our archives, in tribute to the great To access this content you must login to your Insider account, or purchase a subscription
[A repost from our archives, in tribute to the great To access this content you must login to your Insider account, or purchase a subscription
Maurizio Pollini’s recordings of Schubert’s last three sonatas and Klavierstücke To access this content you must login to your Insider account, or purchase a subscription
Among prominent pianists of our time, Maurizio Pollini represented the To access this content you must login to your Insider account, or purchase a subscription
Hot on the heels of Daniel Barenboim’s sensational Schumann cycle […]
The period-instrument movement has accomplished some wonderful things, not least […]
Maurizio Pollini’s recent Chopin Second Sonata and Op. 28 Preludes remakes were generally inferior to his first recordings of these works. The same holds true
Had this disc been released a couple of decades ago, it might have been hailed as a nice addition to the Mahler discography, but today
David Zinman’s Mahler cycle really hits its stride with this remarkable performance of the Third Symphony. It only has two small drawbacks worth mentioning. First,
Tyler Hay relates to John Field’s Nocturnes much as Claudio Arrau did to those of Chopin. In contrast to Benjamin Frith’s lightness and transparency or
I disliked Naxos’ recording of Hamilton Harty’s Irish Symphony, finding the performance overly breathless and oddly balanced, but this version of the Piano Concerto is
Benjamin Frith’s survey of John Field’s piano concertos makes a fine impression with Nos. 5 and 6. The former, “L’incendie par l’Orage” (“Fire by Lightning”–a
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Symphony Hall, Boston, Massachusetts; January 25, 2024—The Boston Symphony Orchestra (BSO) makes three major new announcements today. Andris
Metropolitan Opera House, Lincoln Center, NY; January 12, 2024—The Metropolitan Opera’s new Carmen is mostly being dismissed as
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