Your guide to classical music online

Bruckner: Symphony No. 6Vienna

David Hurwitz

Artistic Quality:

Sound Quality:

This Bruckner Sixth always has been the “sleeper” among recorded performances of the work, one of the great ones, yet surprisingly little known. It also presents the Vienna Philharmonic (of 1974) in peak form, almost ideally recorded (save for some mushiness in the timpani). The brass, so critical to an idiomatic Bruckner sonority, are particularly well differentiated, with horns on the left, trumpets and trombones on the right. The result is unprecedented clarity of those staggered entries that Bruckner is so famous for, and this makes passages such as the first movement’s recapitulation and coda particularly thrilling. Toss in typically warm string playing, rich and thrilling in the Adagio, and Stein’s absolutely perfect pacing of the entire work, with a particularly gossamer scherzo and masterfully shaped finale, and we have a real winner here. If you love Bruckner, particularly as played by the Viennese, you are simply going to adore this. The two Weber overtures make a lovely, apt bonus, and they are equally well done.


Recording Details:

Reference Recording: Klemperer (EMI)

ANTON BRUCKNER - Symphony No. 6
CARL MARIA VON WEBER - Overtures: The Ruler of the Spirits; Abu Hassan

  • Record Label: Eloquence - 476 2745
  • Medium: CD

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Ideally Cast Met Revival of Gounod’s Roméo et Juliette
    Metropolitan Opera House, Lincoln Center, NY; March 19, 2024—The Met has revived Bartlett Sher’s 1967 production of Gounod’s R&J hot on the heels of its
  • An Ozawa Story, November, 1969
    Much has justifiably been written regarding Seiji Ozawa’s extraordinary abilities and achievements as a conductor, and similarly about his generosity, graciousness, and sense of humor
  • Arvo Pärt’s Passio At St. John The Divine
    Cathedral of St John the Divine, New York, NY; January 26, 2024—When one thinks of musical settings of Christ’s Passion, one normally thinks of the