Your guide to classical music online

Alsop’s Prokofiev Sixth: Nothing Special

David Hurwitz

Artistic Quality:

Sound Quality:

You want to admire this cycle. It’s well played and well recorded, and has had some impressive releases. But in the big, more popular works, such as the Fifth and (here) Sixth Symphonies, the competition is fierce. Alsop turns in a fleet performance of the first movement, light in texture, with little bite to the climaxes. I wouldn’t say that the performance lacks conviction; weight, rather, and that punch to the gut that we think of as typically Russian.

The Largo is a tough piece to pull off, and this performance holds together well, but again Alsop shortchanges the music’s darker undercurrents–those militant eruptions that can prove so startling when played with the necessary violence. Perhaps the finale comes off best: swift and dashing, but ultimately this isn’t really competitive with the reference versions.

However, I do have to say that the lightness of texture that harms the interpretation of the symphony suits the Waltz Suite quite well. That may not be enough to justify purchase of the whole disc, but as a separate download this comparative rarity is worth having on its own.

« Back to Search Results


Recording Details:

Reference Recording: Symphony: Järvi (Chandos)

  • Record Label: Naxos - 8.573518
  • Medium: CD

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Ideally Cast Met Revival of Gounod’s Roméo et Juliette
    Metropolitan Opera House, Lincoln Center, NY; March 19, 2024—The Met has revived Bartlett Sher’s 1967 production of Gounod’s R&J hot on the heels of its
  • An Ozawa Story, November, 1969
    Much has justifiably been written regarding Seiji Ozawa’s extraordinary abilities and achievements as a conductor, and similarly about his generosity, graciousness, and sense of humor
  • Arvo Pärt’s Passio At St. John The Divine
    Cathedral of St John the Divine, New York, NY; January 26, 2024—When one thinks of musical settings of Christ’s Passion, one normally thinks of the