Fabio Biondi and Europa Galante burst onto the musical scene with their first recording of The Four Seasons for Opus 111. That disc was a
Prolific composers tend to be devalued, Haydn and Mozart excepted
It’s a mystery to me why the Te Deum isn’t
There’s no dearth of fine Orfeo recordings on the market:
In her recording of Orfeo and elsewhere, conductor Emmanuelle Haïm
This Italian-language, Neapolitan “cantata a tre” from 1708 bears no
This is the fourth Ariodante I’ve reviewed for Classicstoday.com, and
This aptly-named CD presents arias by Handel that find their
These joyless, sexless performances get all of the notes right
Dowland’s lute songs are marvelous, and should be better known