HANDEL–OPERA SERIA
This arguably is the best Handel aria recording ever made by a soprano, and that's acknowledging the fine efforts of singers such ...Tchaikovsky: Symphony No. 5/Masur
Like other conductors before him (most notably Karajan), Kurt Masur plays the introduction to Tchaikovsky's Symphony No. 5 as if i...Beethoven: Quartets Nos. 5 & 6/Mosaiques
Continuing along the path set by its very good recording of Beethoven's Op. 18 Nos. 1 and 4, Quatuor Mosaïques offers even finer ...Beethoven: String quartets Nos. 1 & 4/Mosaiques
Quatuor Mosaïques' large-scaled, warm-hearted approach to Beethoven's early quartets echoes that of Quartetto Italiano and the Vl...Beethoven: Sonatas/Say
A friend of mine once likened a particularly metronomic performance of Beethoven's Appassionata to a man being pursued by hornets....Beethoven: Piano & Cello works
The clean, vivid, and simpatico teamwork cellist Anne Gastinel and pianist François-Frederic Guy bring to Beethoven is a joy to e...Mahler: Symphony No. 5/Haitink
Who said "live" was better? Here's a sloppy, pathetic performance of Mahler's Fifth that ought never to have been released, partic...Schoenberg: Choral works/Accentus
You never get the impression that Arnold Schoenberg was a happy composer, and nowhere is the lack of joy more evident than in his ...LA CASA DEL DIAVOLO
This positively putrid collection reveals Il giardino armonico as the Gangsta Rappers of the period-instrument movement. They have...Bruckner: Symphony No. 5/Matacic
Lovro von Matacic recorded this symphony commercially for Supraphon with the Czech Philharmonic, in the bizarre Schalk edition wit...Notes and Notices
To our readers: This week on ClassicsToday Insider: boxed sets of (widely) varying utility and intelligence, and some historical treasures.--The Editors
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Sign up for Classics Today Insider exclusive music reviews and news, created specifically for classical music listeners, from the serious collector to the inquisitive newcomer. Here are some of our latest Insider Only Reviews:
Kajanus’ Sibelius: Historical Gem or Horror?
by David Hurwitz
Actually, the answer to the above question is "both." Kajanus' Sibelius conducting carried the impri... Continue Reading
Reference Recording: Markevitch and Lamoureux Rock the Symphonie fantastique
by David Hurwitz
All great works offer a range of interpretive possibilities, and if you already own Munch's hallucin... Continue Reading
Filling in the Gaps: Adventurous Early Martinu
by David Hurwitz
Martinu's pre-Paris output remains virtually unknown, unpublished, and unperformed. There is a lot o... Continue Reading
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A Charm of Lullabies
May 21, 2013 by David Vernier
In spite of its title (and the serene scene of repose on the CD cover), don't think you're going to put your darling little one to sleep with this latest recital from violinist extraordinaire Rachel B... Continue Reading
Schubert And The Lieder-King
May 20, 2013 by David Vernier
In Matthias Goerne's Volume 7 of his ongoing Schubert Edition he offers a program of 19 songs, its title derived from perhaps the most famous of them, Schubert's daring and dramatic setting of Goethe'... Continue Reading
War and Peace by Villa-Lobos
May 15, 2013 by David Hurwitz
These two symphonies were both composed in 1919 and reflect the composer's response to the First World War. Musically they have a lot in common, save that the "War" Third Symphony features a lengthy f... Continue Reading
Latest Music Reviews
Not Bad Macbeth–Sterling Nucci
May 25, 2013 by Robert Levine
This not-quite-persuasive performance from Parma has many vocal felicities to recommend it. Its major problems are with the staging. Director Liliana Cavani has plenty of ideas, but none of them are t... Continue Reading
More Remastered Richter from Praga
May 23, 2013 by Jed Distler
Here is what amounts to an SACD upgrading of Sviatoslav Richter in Prague Volume 4, featuring the celebrated pianist in live broadcast performances of Beethoven’s Op. 110 sonata (June 2, 1965) and D... Continue Reading
Wagner’s First Opera
May 22, 2013 by Robert Levine
Wagner was 20 years old when he composed Die Feen (The Fairies), and it is worth a listen. Here’s a bit of Weber (Oberon and Freischütz); a hint of Mozart (Zauberflöte); an effect from Beethoven... Continue Reading














