Record Labels Archives: Decca

Bartoli Goes To Russia–In Triumph

Love her or not, Cecilia Bartoli has done it again. You can argue with her breathy production, her “shotgun” approach to fast ...

Pietro de Maria’s Quirky Complete Chopin

American piano enthusiasts may know Pietro de Maria’s work from several VAI releases stemming from the Miami International Piano...

Big Boxes: Carlo Bergonzi–Verdi Tenor Nonpareil In Style

Carlo Bergonzi, the tenor who died in July at the age of 90, undoubtedly was one of the great tenors of the last half of the 20th ...

Please God, Let This Be The Last Ozawa Box

First, there was the 11-disc Seiji Ozawa Anniversary Box, then there was The Art of Seiji Ozawa (16 CDs), then there was Seiji Oza...

Strangely Mediocre Carmen with Kasarova and Kaufmann

One might speculate as to why this 2008 performance of Carmen from Zurich has just been released, but frankly, it is not quite wor...

Big Boxes: Ansermet’s Rousing Russian Collection

For all the grotty playing and occasionally screechy sonics, there's something very endearing about this set. Ansermet really was ...

Maazel’s Complete Decca Cleveland Recordings

It would of course have been too much to ask Decca to simply release the complete Maazel recordings. They already blew that opport...

Sultry, Sexy Alisa Weilerstein; Oh, And She Plays the Cello

Alisa Weilerstein is an exceptionally talented cellist whose promotion by Decca is just plain embarrassing. There she is, in her s...

Reference Recording: Is The Creation Hogwood’s Finest Performance?

This extraordinary recording of Haydn's The Creation may just be Christopher Hogwood's best release of anything. It will come as a...

Under the Radar: Dohnányi’s Vibrant Schumann

There are simply dozens of Schumann cycles around; I only keep my top ten or fifteen on hand. The rest sit in the "overflow" stock...