The third release in Jean-Claude Pennetier’s complete Fauré piano music cycle mixes and matches genres in performances that for the most part are intimate and
Although Masaaki Suzuki’s solo harpsichord Bach recordings span several decades, his technical and musical consistency seems to defy time, as borne out in The Art
Back in the 1990s it was fashionable for classical musicians to call their concerts or CD releases “The X Project” or “The Y Project”. I
Following his magnificent 2001 recording of J.S. Bach’s Inventions and Sinfonias for BIS, the Japanese harpsichordist/organist/conductor Masaaki Suzuki here offers more revelatory performances of some
Yoav Levanon’s debut recital for Warner Classics left the impression of an immensely gifted yet musically capricious youngster. This follow-up, digital-only EP release finds the
[A repost from our archives, in tribute to the great
Maurizio Pollini’s recordings of Schubert’s last three sonatas and Klavierstücke
Maurizio Pollini’s recent Chopin Second Sonata and Op. 28 Preludes remakes were generally inferior to his first recordings of these works. The same holds true
Among prominent pianists of our time, Maurizio Pollini represented the
Tyler Hay relates to John Field’s Nocturnes much as Claudio Arrau did to those of Chopin. In contrast to Benjamin Frith’s lightness and transparency or